About the Book
The Spider in the Laurel combines elements of Indiana Jones adventures and Jason Bourne thrillers with a V for Vendetta dystopia, and an American Gods fantasy.
The Spider in the Laurel is the story of history teacher, Rafael Ward, in a world that has outlawed the basis of most of our history: religion. When Ward is forced to take a job destroying the relics he cherishes, it will take the uncompromising faith of an outlaw as an ally, and the acceptance of his guilt for his mother’s death, to help him break free of the government’s yoke. If he’s lucky, he might just prevent the coming apocalypse, for which this secular future is completely unprepared.
The Spider in the Laurel straddles the line between simple adventure fun, and the kind of novel which can force a reader to question his or her own beliefs.
The Spider in the Laurel was released by Ragnarok Publications on 9/19/2015.
It can be purchased at Amazon HERE.
Reading the synopsis gives a fairly honest perspective of what this book is about. My own “it’s like” description for this book is “It’s like The Da Vinci Code set in the world of 1984.” It isn’t that precisely, though. It definitely has shades of “Indiana Jones” (even to the point that a character says, un-ironically, “It belongs in a museum,”) and the Bourne books (the lead character, though a new-ish agent, has training and executes well in some amazing hand-to-hand and fight and a few shootouts). I don’t personally see much American Gods, but there could be shades I missed. I’m a big Gaiman fan, so my rose-colored glasses might be limiting my critical perspective. They are both books about a man who lacks faith and who goes through some spiritual/psychological torment in the process of potentially acquiring it.
Faith is an important aspect of this book. I did not in any way find the book to be “Christian fiction” even though Christianity is a key factor in the events of the story; this isn’t a book like the Left Behind series, the sort of story that can only be seen through a single lens. The protagonist’s past has been deeply affected by Christianity, he spent his early adult life studying it (and other “mythologies”), he has recently taken up (for the government, not that he has a choice, really) collecting and destroying its relics, and he spends a lot of this book thinking about whether or not he believes in it. There are a lot of Christian allusions, with little things (such as a door opening three times, feeling much like the many instances of occurrences in triplicate in the Bible). Christianity and history are strong parts of this book’s backbone. It wouldn’t exist without religion. And it asks some interesting questions about what a society might be like if religion was no longer allowed to exist.
This book is about a man’s crisis of faith, a life in flux. It is also a high-action, fast-paced, gun-heavy, sometimes-gory, world-traveling adventure that kept up the punches through the final pages.
The book ends without definitive statements. We can believe what we want about the ending, and that is perfect, considering the nature of the questions asked by the author throughout. I don’t think this book is for everybody, but I think many readers can find something to like here. I was not sure what to expect; I was pleasantly surprised by the absence of (literal) spiders.
He spun. The other man–the taller one–was there at the opposite curb. With a military glide the man approached, his hand over his heart for quick access to the weapon in his jacket.
Ward slowed his breathing. I should be in a library, he thought. Books. Everything was so much easier in books. But that single lament was all he had time for. Clenching his fists, Ward rushed forward.
About the Author
Michael Pogach is an English Professor and the author of the dark fantasy/sci-fi thriller The Spider in the Laurel. His short stories have appeared in various journals such as New Plains Review, Third Wednesday, and Workers Write. Michael lives with his wife in Quakertown, Pennsylvania.
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