Julie Czerneda has graciously allowed Galleywampus to host a stop on her blog tour for This Gulf of Time and Stars. We also have a giveaway listed way down below.
About the Author
Since 1997, Canadian author/editor Julie E. Czerneda has shared her love and curiosity about living things through her science fiction, writing about shapechanging semi-immortals, terraformed worlds, salmon researchers, and the perils of power. Her fourteenth novel from DAW Books was her debut fantasy, A Turn of Light, winner of the 2014 Aurora Award for Best English Novel, and now Book One of her Night`s Edge series. Her most recent publications: a special omnibus edition of her acclaimed near-future SF Species Imperative, as well as Book Two of Night`s Edge, A Play of Shadow, a finalist for this year’s Aurora.
Julie’s presently back in science fiction, writing the finale to her Clan Chronicles series. Book #1 of Reunification, This Gulf of Time and Stars, will be released by DAW November 2015. For more about her work, visit www.czerneda.com or visit her on Facebook, Twitter, or Goodreads.
About the Books
The Clan Chronicles is set in a far future with interstellar travel where the Trade Pact encourages peaceful commerce among a multitude of alien and Human worlds. The alien Clan, humanoid in appearance, have been living in secrecy and wealth on Human worlds, relying on their innate ability to move through the M’hir and bypass normal space. The Clan bred to increase that power, only to learn its terrible price: females who can’t help but kill prospective mates. Sira di Sarc is the first female of her kind facing that reality. With the help of a Human starship captain, Jason Morgan, Sira must find a morally acceptable solution before it’s too late. But with the Clan exposed, her time is running out. The Stratification trilogy follows Sira’s ancestor, Aryl Sarc, and shows how their power first came to be as well as how the Clan came to live in the Trade Pact. The Trade Pact trilogy is the story of Sira and Morgan, and the trouble facing the Clan. Reunification will conclude the series and answer, at last, #whoaretheclan.
Galleywampus: You first started writing about Sira almost twenty years ago. Now that it has been over a decade since the Trade Pact Universe series concluded, what was the most challenging part of writing about Sira again? Did you know what she was up to all these years? Are you finding that Sira had changed for you in that time?
Julie: More like thirty, to be honest. It took me ten years to sell my first book, after all. Time does fly! There were a few challenges, that’s for sure. Mostly because I’d written so much else, and differently, in the interim. I talk about trying to regain my early “voice” in my post in “Writing Like I Used To”, but that was only one aspect. The details within the previous six books was another; fortunately, I had betareaders to help me (who joined me to talk about that at Publishing Crawl ). The plot, that was the thing. Glad you asked.
The story—Sira and Morgan—didn’t go away and come back. I find everything I’m working on, or thinking of working on, is in my head some place. Ideas pop out at the least convenient time. I dash from the tub. Write in the dark. Most often, the best of these occur to me when I’m supposed to be focused on what I’m writing right now, the stuff with a deadline. I’ve learned to give in, write the note, and put it some place safe. For Reunification? I’d years of jots and hints, most in a journal but an appalling number stuffed in file folders. I needed to organize. Somewhere BIG.
Like my office wall, the one without bookshelves. The one we’d freshly painted, having filled in the myriad tack holes that somehow had accumulated. (Innocent humming.)
My husband, being vastly clever, spotted the signs. You see, an author about to nest a new book acts much like a pregnant bird or dog. A certain glassy stare. A tendency to pick up random bits of paper and stick them in unpredictable places. Turning in place. Before I could pick up my first thumbtack, he’d obtained nice flat metal thingies meant for curtains and screwed them along the wall, handing me a box of magnets. (He took the tacks.)
I was off. First up were large sheets of paper; next came Post-its. Each had a separate plot point garnered from my journal and folders and I worked until they were all there, roughly organized by where in the three book arc of Reunification they’d matter most.
I’ll tell you a secret. The act of writing down plot points, then choosing—finding–where they belonged on the wall, is what locks them in my head. The whole mass is still up on the wall, but I haven’t so much as glanced at it since I stuck the last note in place. I like having it there; I don’t have to have it there. Please don’t tell Roger.
Did I know what Sira was up to? Interesting question. I knew Gulf would pick up her story mere weeks in character-time after To Trade the Stars, so as far as I was concerned, she and Morgan were still in the afterglow of Happy Ending. What I had to know was the momentum to conflict was building in the background, and powerful forces were about to collide.
Galleywampus: Love plays an important part in your books involving Sira. Why does this subject resonate with you?
Julie: Oh, it plays an important part in all of my books. Not only romantic love, although I’m a fan where it’s right, but the love of family, love between friends. To me it’s the thread that works through our lives and society as a whole, holding us together, giving life meaning.
In Sira’s case, I needed her to evolve into a sympathetic character and to represent what any Clan was capable of, given the opportunity. The powerful self-serving alien bent on human seduction has not only been done to death, it doesn’t interest me. Yes, the Clan have subverted their own reproduction into something cold and pragmatic, but they are a passionate race and this wasn’t always their way. The Clan are also xenophobic. Sira may have reasoned what her Human, Morgan, might be able to help her accomplish—to the good of her kind—but to any Clan, intimacy with something so alien as a Human is unimaginably repugnant. Without spoiling the story, if Sira hadn’t been capable of love and compassion, of growth into those feelings not only for Morgan, but others, I wouldn’t have a believable plot.
Morgan himself is her model. He’s deeply compassionate, with a strong moral centre developed from experience as well as personal inclination. He represents, in that sense, the best of us.
One of my favourite scenes is where Morgan confronts Sira, who’s developed a full-on adolescent crush on him (much to her confusion). He tells her she doesn’t know what love is and manages a decent job of muddling through sexual attraction versus true caring for another. Later, once she’s come to understand the difference, she does her utmost to shield him, from her Clan instincts and her kind.
Among my joys in their relationship is the interplay when they work together, which doesn’t always go smoothly. While Sira has immense abilities and power, Morgan has practically rebuilt his starship and treasures it. To work alongside as crew, she’s trying to learn and almost too enthused, especially when he knows a mistake in space happens only once.
Galleywampus: How does your background in biology fit into your science fiction writing?
Julie: I’ve mentioned in an earlier interview (it’s a tour, after all) on Fantasy Book Café that I create my aliens and their worlds using that background, along with my fascination with the odder aspects of living things. Spider sex, for one. Birds seeing in ultraviolet. Parasites. Nature offers a buffet of wonderful details I couldn’t make it up!
That’s world-building. My biology background is the source of my story ideas too. The Clan Chronicles came about from my wondering what would happen if an intelligent species bred for a costly trait. How far would they go? Species Imperative is my take on how an innate biological drive, in this case migration, could impact on a peaceful, well-tuned galactic civilization. Beholder’s Eye? Oh, there I’m playing with all things biological, but at the core is my speculation on what an almost immortal species would be like—and how might one come about. In the Company of Others features space exploration and settlement, but it started with my own dismay at species that seem harmless being released where they become horrendous pests to the local wildlife.
It’s fair to say there’s nothing about my biology background that isn’t in my science fiction. (And sneaks quietly into my fantasy as well.)
Galleywampus: You are a DIY fan. What has been your favorite recent DIY project?
Julie: When I’d finished Stratification, the prequel trilogy within the Clan Chronicles, I’d planned a break to try my hand at my first fantasy novel. (I talk about my reasons at Fantasy Book Critic I was determined not to sound like a science fiction author trying their first fantasy novel. I started by changing everything possible about my writing process, from my office décor to where I’d start. I wanted to have an intimate setting, Marrowdell, where everything took place within a single valley and village. I wouldn’t write a word, I vowed, until I could “see” the place for myself. Being a thorough sort, I researched pioneer settlements, including pacing one out, and came up with the rough size of my valley. From then, it was a process of determining scale, and I was off.
Understand I didn’t have details of the story or any outline. I was delighted to discover those as the landscape came to life. It took 28 eight hour days to complete. Here’s an abbreviated photo blog of the process.
Once finished, I put it where I could refer to it while I wrote. It gave me everything from line-of-sight to how long it’d take someone to walk from point A to B, shadows and light by time of day, and, most importantly, where “magic” had clawed the ridges to either side.
Thanks for such great questions!
Galleywampus: Thank you, Julie! And enjoy the rest of your tour!
1. We are so very fortunate that DAW has provided us with a hardcover copy of This Gulf of Time and Stars to the winner (US or Canada);
2. Audible has given us a copy of the audiobook (1) (US or Canada) to give away as well!
Sample from the audiobook version of This Gulf of Time and Stars, narrated by Allyson Johnson, courtesy of audible.com:
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